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Video production company in West Palm BeachPut the story on film and let it travel

Brand films, commercials, social video, testimonials, event coverage, property films and drone video, written from the brand and cut for every screen the story has to reach.

A storefront window carrying the Epic Wolf mark

Overview

Video is the closest a stranger gets to meeting you before the first call. It is also where many companies spend the most and keep the least: one long film that sits on an About page while the ads, the social feed and the sales team go without. The problem is rarely the camera work. It is that nobody decided what the film was for before the crew arrived.

We plan, direct and produce video as part of the brand. The work starts with a script or an interview outline tied to one message, and a list of every version the footage has to become: the full film, a short cut for ads, vertical clips for social, a silent captioned loop for the lobby screen. Then we assemble the right crew for the job, clear locations and permits, and run the day.

Aerial footage follows federal rules. Commercial drone flights fall under the FAA's Part 107 rule, which requires a certified remote pilot, so an FAA-certified pilot flies every job and applies for airspace authorization where it is needed. After the shoot we edit, color, mix sound and caption each version, and deliver files ready for the website, the ad platforms and a reporter's inbox.

What it includes

  • Brand films

    A short film that says who you are and why it matters, written to anchor the website and the pitch.

  • Commercials

    Spots for broadcast, streaming and paid online placements, produced in the lengths each outlet requires.

  • Social video

    Vertical and square cuts with captions, planned in the script so they are more than trimmed leftovers.

  • Testimonial and case study video

    Client interviews filmed with signed releases and edited to honest claims a viewer can trust.

  • Event video

    Coverage of openings, galas and conferences with a recap cut ready while the event is still news.

  • Real estate and property films

    Walkthroughs and neighborhood films for residences, developments, hotels and commercial space.

  • Drone video

    Aerial footage of sites, waterfronts and properties, flown by an FAA-certified remote pilot.

  • Editing and finishing

    Edit, color, sound, music licensing, captions and exports sized for each platform.

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How the work runs

Write before anyone films

We settle the one message, the audience and every version the footage must become, then write the script or interview questions to serve them.

Plan the production

We choose the crew for the job, scout locations, schedule the day and secure permits, releases and any airspace authorization ahead of time.

Direct the shoot

A partner-led team runs the set, coaches people who have never been on camera and captures the extra footage each short cut will need.

Edit and place every version

We cut the main film first, then the shorter versions, and deliver each one captioned and sized for the page or platform it was planned for.

How it connects

A film made apart from the brand has to be explained to the crew, then explained again to the web developer, the media buyer and the publicist. When one team makes all of it, the script is drawn from the same positioning as the website copy, the title cards use the brand's type and color, and the page that will hold the film is designed while it is being cut. The ad versions are edited by people who know which audiences will see them. The press release goes out with footage a station or an editor can use. One day of filming feeds the site, the campaign and the story, and the message is the same in each.

Built for financial and professional firms that sell on trust, developers, luxury builders and real estate teams marketing property, hotels, clubs, restaurants and hospitality groups, medical practices whose patient stories need written authorization, marine companies with boats, yards and waterfronts to show and nonprofits that need a gala film and a year of donor content.

Part of our branding practice

A canvas tote printed with the Epic Wolf mark

Questions

Video Production questions answered

The contract decides, and it should say so plainly. The U.S. Copyright Office notes that a commissioned work counts as a work made for hire only when it falls in a listed category, which includes part of a motion picture or other audiovisual work, and both parties sign a written agreement saying so. Without that, rights are licensed or assigned in writing. We state the terms in the proposal, and your attorney should confirm them.

Filming on public property needs a permit, and the Palm Beach County Film and Television Commission issues it free through one application. Its site says private property can need one too when a shoot affects adjacent roads or sidewalks or involves stunts. The commission does not permit the Town of Palm Beach, which requires Town Council approval for commercial filming on public property. We file the applications as part of planning.

A video day runs on a call sheet that lists every scene, person and location by time. Interviews are usually filmed first while people are fresh, with lighting and sound set before they sit down. The rest of the day gathers the supporting footage the edit will need: the space, the work, the details. A director keeps the schedule and makes sure each planned version has what it requires.

Editing time depends on the length of the film, the number of versions and how many review rounds you want. A single interview cut moves faster than a brand film with music, graphics and several short edits. The step that most often slows a project is feedback, so we set review dates in advance and ask for consolidated comments from a single point of contact on your side. The delivery date is agreed in writing before filming.

Video cost comes down to days, crew and finishing. The variables are how many shoot days and locations are involved, the size of the crew, whether there are actors or a drone pilot, permits and insurance, licensed music, motion graphics and the number of finished versions. Scripted commercials cost more than interview films because they need more people. We price a defined scope after a planning call.

Yes, when the versions are planned before filming. A website film, a short ad and a vertical social clip each need different framing and pacing, so we film with all of them in mind rather than cropping one master afterward. We also capture clean footage without titles that a news outlet can use. Every version is exported in the format its destination requires and labeled so your team knows which is which.

Let's make it impossible to ignore.